Demo Video: Working with Stencils

Stencils offer artists a range of ways to create interesting patterns and marks that can be responded to and buried beneath additional layers of paint. Dura-Lar stencils work well with encaustic because they have a high heat tolerance and will not tear. In our latest demo video, we show you how to use Dura-lar stencils with PanPastel, encaustic paint, and Pigment Sticks. The stencils featured in this video were created by R&F Core Instructor Leslie Giuliani and can be purchased on her website.

To use a stencil with PanPastel, lightly warm the surface of your painting. Apply PanPastel using a soft sponge. PanPastel recommends their Sofft Tools, which feature semi-absorbent micropore sponges. Fuse lightly so the wax encapsulates the powdered pigment.

Stencils with PanPastel can be layered on top of one another or between layers of encaustic medium. Adding layers of medium will soften the colors and pattern, causing the stencil to appear to recede or become shadow-like. If you opt to add layers, wait a minute or two after fusing before brushing on a layer of medium. If the surface of your work is too hot, the PanPastel will smear. To clean your stencil, use water and a sponge or a damp paper towel. Wipe gently.

If you wish to use a stencil with encaustic paint, warm the surface of your painting first so it will be receptive to the wax. Place your stencil where you’d like it and brush encaustic paint over top. If you opt to fuse, do so lightly so paint doesn’t seep underneath. To clean your stencil, place it on your heated palette and gently wipe it with a paper towel.

Use regular Blending Medium when working with Pigment Stick as a stencil on the surface of encaustic. Blending Medium with Drier was specifically designed for use under a layer of Pigment Stick to help speed up the drying time.

Pigment Sticks are easy and fun to work with. To use, unwrap your Pigment Stick and use a razor blade to remove the thin layer of skin where the oil has cured. Add a small amount of Pigment Stick to a sheet of wax paper or plexiglass. Use a palette knife to break up any chunks. Add Blending Medium to extend the paint and make a glaze. A soft rubber brayer will allow you to achieve an even finish.

TIP: Use regular Blending Medium when working with Pigment Stick as a stencil on the surface of encaustic. Blending Medium with Drier was specifically designed for use under a layer of Pigment Stick to help speed up the drying time. The addition of the Cobalt Manganese compound that acts as a drying agent can yellow slightly over time, so when working with Pigment Stick as a top layer, it is recommended to use regular Blending Medium.

When you are finished working with Pigment Stick, wipe your stencil clean with vegetable oil and a paper towel. Stencils will stain over time, but that won’t affect their use.