• Used as Oil Paint: One way to use R&F Pigment Sticks® is to treat them as if they were regular tube oils (almost like squeezing a tube right on the canvas) or use them in combination with tube oils. You can work on any surface just as you would with oils. Use brushes, solvents, and rags once the paint is on the surface. Many people dip the sticks in mediums or Alkyd driers and then attack the surface. Others will use them to start a painting with a quick sketch. Some will do their painting with tubes and brushes and then put in final details and lines with the sticks.
• Used as a Drawing Tool: Pigment Sticks® are becoming more prevalent as stand-alone painting and drawing tools. Many instructors use them in their drawing classes or in drawing marathons. They are a wonderful bridge between drawing and painting and their very nature causes artists to loosen up, use more color and be more spontaneous and gestural.
• Monotypes: Printmakers are falling in love with Pigment Sticks®. Anyone who has spent hours trying to mix colors with only nine or ten printmaking inks will find our palette of 91 colors very liberating. Their immediacy, and mark making ability afford an endless range of options.
Benefits to Working with Pigment Sticks®
• They can be thinned with turpentine or mineral spirits.
• They can be worked with mediums by dipping them into stand oil, linseed oil, alkyd mediums, or resin gels.
• They can be mixed alongside tube oils or used to draw over dried oil paintings.
• Blending Sticks are colorless Pigment Sticks® – essentially a stick without pigment. They can be worked into a color to increase its transparency or to blend two colors together on the painting.
• Pigment Sticks® can be manipulated with a paint knife until the paint is a buttery consistency, so that it can be brushed or knifed onto the surface. This method can be used to mix colors on the palette or in the painting.
Supports: Pigment Sticks® can be used on any ground suitable for use with traditional tube oil paint. Normally that means a sized canvas, panel, or paper. (Ampersand’s Gessobord™ is ideal because of it’s dimensional stability) More absorbent surfaces like clay coated papers or Encausticbord™ will cause the paint to dry faster and leave a matte finish that is preferable to some painters.
Sizing: As in oil painting, all canvas and paper surfaces should be sized. To size, use one or two coats of acrylic gesso, acrylic medium, or PVA sizing. Other options include: rabbit skin glue and shellac.
Grounds: Any ground (ie: gesso) suitable for traditional oil paint can be used with R&F Pigment Sticks®.
Varnishing: When thoroughly dry, Pigment Sticks® can be varnished just as you would an oil painting.
Pigment Stick Paints
There really is no general recommendation for a starter palette of colors, since different artists have individual preferences, but we recommend that you choose a good balance of opaque and transparent colors. Everyone tends to gravitate to their own color palettes. Try out your favorite oil colors in stick and build from there.